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Harwa – Chief Steward of God’s Wife Amenardis I – XXV Dynasty – TT37

Posted in Amenirdis, Amonardis, Amonirdis, Amoun, Amunardis, Ankhefenamon, Assasif, Divine Votaress, Estaweret, Harwa, Hatnefrumut, Khaneferumut, Khensa, Kush, Kushite, Lady of the House, Neferukakashta, Nestaureret, Padimut, Pebatjma, Pedemut, Pedimut, Peksater, Taharqa, Theban Priest, TT37 with tags , , , , , , , , , , , , , , , , , , , , , , , , , on February 2, 2009 by www.Amunirdis.net

Harwa – Chief Steward of God’s Wife Amenardis I – XXV Dynasty – TT37

Harwa – Chief Steward of Gods Wife Amenardis I – XXV Dynasty of Ancient Egypt

Harwa, “Grand Steward of the Divine Votaress”, High Priest and “Doorkeeper in the Temple of Amun”

Harwa: “Great of the Greats”.

Born in to a family of Theban Priests, Harwa held high office in Thebes (modern-day Luxor) with great responsibility to Amun and God’s Wife of Amun, the Divine Votaress, Amenirdis I. He was son of the “Lady of the House”, Nestaureret (or Estaweret), and of a Priest attached to the temple of Amun in Karnak, Padimut (or Pedemut) son of Ankhefenamon.

 

His tomb is located in el-Assasif, part of the Theban Necropolis, near to Deir el-Bahri and is known as TT37 (Theban Tomb 37) which has been under archaeological examination for some years and currently not accessible to the public.

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http://pavementsofsilver.wordpress.com/2008/07/13/the-tomb-of-harwa/
“On Friday I attended an EES lecture by Dr Francesco Tiradritti of the Italian Archaeological Mission to the Theban Tombs, held at the The Society of Antiquaries of London. It was a fascinating lecture, and I must admit that up until then I had known very little about the Late Period tombs in this area, so the talk was a true eye opener for me.
The renaissance, or Archaic Revival, of the Late Period has long held a fascination for me, and it’s normally something I think of as having been “kicked off” – as it were – by the Pharaohs of the 26th Dynasty. But these classical Saite signatures, such as the passion for (exquisitely executed!) scenes in the Old Kingdom traditions, and even the inclusion of parts of the Pyramid Texts, can be seen in Harwa’s tomb (TT37, El Assasif) at the height of the 25th Dynasty.
Harwa was the Great Steward of the Adoratrice of Amun, during the reign of Taharqa, and possibly acted as a vassal ruler of the south under him, since the Pharaohs of the 25th Dynasty remained in Nubia and only held power through the Priesthood of Amun, hence Harwa’s great importance. The scale of his tomb would indeed suggest this, for although it’s layout is entirely different, in it’s ambitious design, and in the quality of carving, it is certainly the equal of some royal tombs.
Sadly, time has been unkind to Harwa’s eternal home. Only fragments of the decoration survive, having been re-used for subsequent burials during the Late period, and functioning as a chapel to Osiris in Ptolemaic times. Dr Tiradritti also presented some of the tombs later history that had been unearthed during excavations, including an earlier Italian visit to the tomb by soldiers during the Second World War, leaving behind part of a biscuit packet for future generations.
Thankfully, the team have been able to take advantage of changes in technology over the long course of their work so far (excavation began in 1995, and there is still much work to be done) and this has allowed maps, images and also a complete catalogue of decorative fragments found to be made available on an online database. This has also allowed for digital reconstructions of numerous wall scenes to be made, allowing a much better understanding of the tombs original design.
A multi-lingual web portal has now been online for ten years, and is available at
http://www.Harwa.it/ ”

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See also:
Harwa

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Posted in Adoption, Adoratrice, Aidan Dodson, Akaluka, Akhamenerau, Amen-Ra, Amenardis, Amenirdis, Amenirdis the Elder, Amonardis, Amonirdis, Amoun, Amun, Amun-Ra, Amunardis, Amunirdis, Ancient Egypt, Ankhefenamon, Ankhnesneferibre, Apet, Ashdod, Assasif, Assyria, Black Pharaohs, Book of the Dead, Brooklyn Museum, Chief Priestess, Conundrum, David Aston, Dig Diary, Divine Adoratice of Amun, Divine Adoratrice, Divine Adoratrice of Amun, Divine One, Divine Votaress, Doorkeeper, Doorkeeper in the Temple of Amun, Dynastic, Egypt, Egyptian, Egyptian Dates, Egyptian Goddess, Egyptian History, Egyptian Queen, Egyptian Years, Egyptological Research, Egyptologists, Egyptology, el-Assasif, Goddess, Gods Hand, Gods Wife, Gods Wife of Amun, Grand Steward, Great of the Greats, Harwa, Harwa’s Tomb, Hatnefrumut, Hatshepsut, Hieroglyphic, Hieroglyphics, Hieroglyphs, High Priestess, High Priests, High Steward, Iamanni, Karl Jansen-Winkeln, Karnak, Karnak Temple, Kashta, Kawa, Kenneth Kitchen, Khaneferumut, Khons, Khonsu, King Kashta, Kush, Kushite, Lady of the House, Late Period, Lord, Lord of Thebes, Luxor, Medinet Habu, Meroë, Montu, Montu-Ra, Mut, Napata, Neferkare, Nestaureret, Nitocris, Nubia, Nubian, Nubian King, Nubian Kingdom, Osiris, Osiris Hall, Osorkon, Padimut, Peshuper, Pharaoh, Pharaohs, Precinct of Amun, Prenomen, Priest, Princess of Nubia, Psammetichus, Psamtek, Psamtik, Queen Amenirdis, Queen Amunirdis, Queen of Egypt, Queen Pebatma, Ra, Re, Regnal Years, Research, Rolf Krauss, Sargon, Scribe, Scribe of Amenirdis, Shabaka, Shabaka Neferkare, Shabaka Stone, Shabaqo, Shebitku, Shepenupet, Shepenwepet, Solar Eclipses, Stelae, Steward of the Divine Votaress, Sudan, Taharqa, Taharqo, Takelot, Tang-i Var, Tashakheper, Temple of Amun, Temples, Theban, Theban Necropolis, Theban Tomb, Thebes, Third Cataract, Third Intermediate Period, TT37, Twenty Fifth Dynasty, Votaress, Waset, www.Amenardis.net, www.Amenirdis.net, www.Amunirdis.net, XXV Dynasty, XXVI Dynasty with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 25, 2009 by www.Amunirdis.net

“An end and a beginning

On March 23, 2007 the Elizabeth A. Sackler Center for Feminist Art opens at the Brooklyn Museum. To celebrate the opening and the accompanying exhibition, “Pharaohs, Queens and Goddesses”, we decided to devote the last posting of the 2007 season at the Mut Precinct to some of the female figures, mortal and divine, associated with the site.

Hatshepsut being crowned by Amun-Re and granted life and dominion by the goddess “Great in Magic”, from the reconstructed Red Chapel in the Karnak Open Air Museum. An early 18th Dynasty temple at Mut dates to the reign of this woman who ruled as king.

“God’s Wife of Amun” was an important female priestly title in Thebes. In the 1st millennium BC it was usually held by a sister or daughter of the reigning king, each God’s Wife adopting her successor. They became so powerful that they were able to have themselves represented in roles normally played by the king.

In scenes of goddesses suckling humans, the human is normally the king, with the scene representing the transfer of life and power. Yet in this scene in the Chapel of Osiris-Ruler-of-Eternity at Karnak, not only is the God’s Wife of Amun, Shepenwepet I, being suckled, she is also wearing 2 Double Crowns, something shown nowhere else in any period.

In her funerary chapel at the temple of Medinet Habu, Amunirdis makes offerings to Amun and Hathor. The presence of funerary chapels to mortals within the sacred grounds of a temple is rare until the Third Intermediate Period, a time when God’s Wives of Amun flourished.

Intangible concepts could also be represented as goddesses. In a scene commemorating an important military campaign by Sheshonq I of Dynasty 22, the goddess “Victorious Thebes”, carrying a mace, an axe and a bow, drags conquered cities (shown as bound prisoners with the city names enclosed in cartouches representing fortified walls) to be slaughtered.

Upper and Lower Egypt were represented as the goddesses Nekhbet (right) and Wadjet. Scenes of the king flanked by these protective deities are common in all periods of Egyptian history. This one comes from the Mut Precinct’s Ptolemaic Chapel D.


Keeping Mut and Sakhmet happy was a main function of the Mut priesthood. In this scene from the Mut Precinct’s main entrance the king (holding Hathor-headed sistra) and two priestesses play music to Mut and Sakhmet to amuse them and keep them contented.


Two busts of Sakhmet in the Mut Precinct. Sakhmet angered could release disease and disaster on Egypt. Contented she could control these forces, which is why she is a goddess of health and healing as well as of death and destruction.


These 3 reliefs of Mut span a period of several hundred years. On the left is a relief from Amunirdis’s funerary chapel at Medinet Habu; in the center a relief from the chapel of Osiris-Ruler-of-Eternity at Karnak; and on the right a relief in Chapel D at the Mut Precinct. In all three scenes Mut appears in her usual guise of a human wearing the Double Crown.

And finally, a stela of a king offering to Mut that we uncovered in 2006. While the stela is uninscribed, it is entirely possible that it dates to the reign of the Roman Emperor Tiberius, showing that Mut continued as an important goddess even after Egypt’s conquest by Rome.

Richard Fazzini
Director, Mut Expedition”

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‘God’s Wife of Amun’ and ‘Divine Adoratrice of Amun’ – Important Women in Ancient Egypt

Posted in Akaluka, Amenardis, Amenirdis, Amenirdis the Elder, Amun, Amunardis, Amunirdis, Ancient Egypt, Black Pharaohs, Divine Adoratice of Amun, Divine Adoratrice, Divine Adoratrice of Amun, Divine Votaress, Egyptian Goddess, Egyptian Queen, Egyptology, Goddess, Gods Wife, Gods Wife of Amun, Harwa, Hatnefrumut, Khaneferumut, King Kashta, Kush, Kushite, Napata, Peshuper, Princess of Nubia, Queen of Egypt, Queen Pebatma, Scribe of Amenirdis, Shabaka, Shabaka Neferkare, Shabaqo, Third Intermediate Period, www.Amenardis.net, www.Amenirdis.net, www.Amunirdis.net, XXV Dynasty, XXVI Dynasty with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 20, 2008 by www.Amunirdis.net

God’s Wife of Amun, a title for a similar Office of the High Priestess, originated as a title held by a daughter of the High Priest of Amun during the reign of Hatshepsut and continued as an important Office while the capital of Egypt remained in (or returned to) Thebes, modern-day Luxor and Karnak.

 

This Office reached the very heights of its political & religious power during the Third Intermediate Period of Egypt when Shepenupet I (Shepenwepet I), Osorkon III’s daughter, was first appointed to this post at Thebes. The Nubian King Kashta, in turn, appointed his daughter, Amenirdis I, as her successor, though it is said by many that Shepenwepet I ‘adopted’ Amenirdis I in to this important role in ancient Egypt, this ‘adoption’ procedure continued throughout the XXV and XXVI Dynasties. The high status of this Office is illustrated by the tomb of Amenirdis I at Medinet Habu and her building work at Karnak Temple.

 

When the Napatan Kings from Kush started to extend their power into Upper Egypt, the reigning God’s Wife of Amun, Shepenupet I (Shepenwepet I), ‘adopted’ Amenirdis I, the daughter of Pharaoh Kashta as her heir. This sequence was followed throughout the XXV Dynasty until Egypt was conquered by Psamtek I, who had his daughter, Nitocris I, adopted by Amenirdis II. The Adoption Stelae of Nitocris’ shows the ceremony involved by this event, and the prestige of the role:

“I have given to him my daughter to be a god’s wife and have endowed her better than those who were before her. Surely he will be gratified with her worship and protect the land who gave her to him.”

 

In the Third Intermediate Period, during the XXV and XXVI Dynasties, and the start of the Late Period, the Office was at its height politically, religiously and economically. As the role of the High Priests of Amun changed from a mostly spiritual to a more ‘earthly’ role, the Divine Adoratrice became the primary focus of the cult of Amun in Thebes.

During the XXVI Dynasty, the Saite King Psamtik I (Psammetichus or Psamtek) forcibly reunited Egypt under his rule in 656 BCE and he compelled the God’s Wife of Amun serving at the time, Shepenupet II (Shepenwepet II), daughter of Piye, to ‘adopt’ his daughter as her chosen successor to this position.

 

God’s Wife of Amun was an incredibly powerful spiritual and religious role in ancient Egypt as was “The Divine Adoratrice” (or ‘Votaress’) – the Queen being responsible for daily rituals and ‘communications’ with God; acting as an intermediary for the High Priests and officials within the Precinct of Amun and also “interpreted the oracles”. Some references still exist as to Amenirdis I’s interpretation of her communications with Amun – some involving members of the ‘public’, quite unusual for a ‘living Goddess’. Amenirdis I seems to have favoured contact with the people of the land of Amun. She was held in high regard and limited records refer to Amenirdis as a “fair and just” ruler in Upper Egypt whilst her brother, Shabaka (‘Shabaka Neferkare’ or Shabaqo), ruled as Pharaoh in Memphis in the north (Lower Egypt). Shabaka was also the originator of the famous ‘Shabaka Stone’, a fruitful source of insight into the culture and religious doctrines of the ancient Egyptians.

 

In ancient Egyptian history, there were in total thirty Royal women who held the title “God’s Wife of Amun” though there is some doubt regarding Tashakheper – daughter of Osorkon II who may have ruled as God’s Wife of Amun during the reign of Takelot III. If Tashakheper had indeed ruled as God’s Wife of Amun, this would bring the entire Dynastic figure to thirty-one. [NB: this does not include non-Royals from Dynasty X to the XII Dynasty]

 

Probably the most ‘well known’ of all God’s Wives is Hatshepsut who also held the title Divine Adoratrice of Amun.

 

The Divine Adoratrice of Amun (or the ‘Divine Votaress’) was a second title (in addition to God’s Wife of Amun) created for the Chief Priestess of the ancient Egyptian omnipotent deity, Amun.
The Divine Adoratrice ruled over the extensive Temple duties and domains, controlling a significant part of the ancient Egyptian economy and religious/spiritual matters primarily from the Precinct of Amun at Karnak and Luxor Temples.

Amenirdis I had notable staff in Office – I will write more about these later but they include Peshuper – ‘Scribe of Amenirdis’ & Harwa – “Steward of the Divine Votaress”.

 
 
 

‘God’s Wife of Amun’ and ‘Divine Adoratrice of Amun’

Under the above two titles there were, in total, six women during the XXV and XXVI Dynasties. They are, in order of rule:

 

Shepenupet I – 754 – 714 BCE

Amenirdis I – 740 – 720 BCE  prenomen: Khaneferumut

Shepenupet II – 710 – 650 BCE

Amenirdis II – 670 – 640 BCE

Nitocris I – 656 – 586 BCE

Ankhnesneferibre – 595 – 525 BCE

 
[Dates are, in my opinion, not an exact reflection of the rule of God’s Wife of Amun & Divine Adoratrice: Amenirdis I was said to have reigned for approximately forty years]
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Alabaster Statue of Queen Amenirdis I – Prenomen: Khaneferumut or Hatnefrumut

Posted in Akaluka, Amenardis, Amenirdis, Amenirdis the Elder, Amun, Amunardis, Amunirdis, Ancient Egypt, Black Pharaohs, Cairo Museum of Antiquities, Divine Adoratice of Amun, Divine Votaress, Egyptian Goddess, Egyptian Queen, Egyptology, Gods Wife, Gods Wife of Amun, Hatnefrumut, Khaneferumut, King Kashta, Kush, Kushite, Napata, Princess of Nubia, Queen of Egypt, Queen Pebatma, www.Amenardis.net, www.Amenirdis.net, www.Amunirdis.net, XXV Dynasty with tags , , , , , , , , , , , , , , , , , , , on April 20, 2008 by www.Amunirdis.net

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This alabaster statue of Amenirdis I (prenomen: Khaneferumut or Hatnefrumut) is probably the most famous image of this Kushite Queen – it inspired Verdi to compose Aida.
The statue is stunning when seen in real life. For many years it was on display in the Cairo Museum of Antiquities but since the ‘Black Pharaohs’ exhibition the alabaster statue has been moved for more of the public to see this magnificent depiction of an amazing Queen of ancient Egypt.
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